The RYB model |
The Munsell color system |
With that said and meeting up with Larissa again, the bottom line is that it is not advisable to gamble and implement a color just because it seems to look OK. Reading between the lines this is what Harris tries to warn about. There are technical aspects, especially related to digital medias and you need to have some basic knowledge on how to differentiate between RGB, CMYK, spot colors etc. to get it right.
The NCS color system |
Another interesting aspect: She tells us about her daughter wanting to accessorize in an original and unusual way. Children have an innocent and "clean" perception of colors in comparison to grown ups where elements like learned habits, influence of social/business norms and fashion trends has a stronghold on our choices. In a professional sense this points to the fact that it is not enough to have knowledge about color theories, you also need to know facts about history, brand norms, market segments, social/cultural differences, present trends and preferably forecasts too.
Additive colors |
Working with colors can certainly be challenging and sometimes it requires a rebel soul to figure out new un-thought-of-but-still-acceptable-crowd-cheering-color-combination's. But more often, the most important job you do is to comply with already existing design guidelines and make sure the correct color codes gets implemented.
To read the article:
Color theory and the graphic designer
Color theory and the graphic designer
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